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The Music Computing Lab

Empowering musicians, illuminating musical activities, and modelling music perception and cognition

Publications

Latest The Music Computing Lab publications > Displaying [1–20 of 198]

  • Dupras, M., Holland, S. and Mulholland, P., 2025, ‘Using the Electric Guitar as a Live Coding Interface’, in 9th International Conference on Live Coding 2025 (ICLC2025), 27-31 May 2025, Barcelona, Spain., https://oro.open.ac.uk/104665/.
  • Kierzkowski, M. A., 2025, ‘AI-driven radio and cultural production: an ethnomusicological inquiry into the Off Radio Kraków experiment with artificial intelligence’, Ethnomusicology Forum, 34(2), pp. 270–276., https://oro.open.ac.uk/107457/.
  • Canny, N., Holland, S. and Mudd, T. e., 2024, ‘Proceedings of the CHIME Music and Human Computer Interaction Conference 2024 (Music and HCI)’, Proceedings of the CHIME Conference on Music and Human Computer Interaction. Milton Keynes, UK: The Open University., https://oro.open.ac.uk/104039/.
  • Islam, R., Bennasar, M., Holland, S., Mulholland, P. and Price, B., 2024, ‘Democratizing Clinical Movement Analysis: Assessing the Versatility of MoJoXlab with Open-protocol Inertial Sensors’, Procedia Computer Science, 246 pp. 2360–2369., https://oro.open.ac.uk/97622/.
  • Canny, N., Holland, S. and Mudd, T., 2023, ‘Proceedings of the CHIME Music and HCI Workshop 2023’, in CHIME One Day Workshop 2023, 4 Dec 2023, The Open University, Milton Keynes., https://oro.open.ac.uk/97572/.
  • Lederman, N., Holland, S. and Mulholland, P., 2023, ‘An agent for creative development in drum kit playing’, in PPIG 2022 - 33rd Annual Workshop, 5-9 Sep 2022, Milton Keynes., https://oro.open.ac.uk/88223/.
  • Holland, S., Petre, M., Church, L. and Marasoiu, M. e., 2023, ‘PPIG 2022: Proceedings of the 33rd Annual Workshop of the Psychology of Programming Interest Group’, Psychology of Programming Interest Group Proceedings. Milton Keynes and Online: PPIG., https://oro.open.ac.uk/87457/.
  • Tetley, J. W., Holland, S., Caton, S., Donaldson, G., Georgiou, T., Visi, F. and Stockley, R. C., 2022, ‘Using rhythm for rehabilitation: the acceptability of a novel haptic cueing device in extended stroke rehabilitation’, Journal of Enabling Technologies, 16(4), pp. 290–301., https://oro.open.ac.uk/84805/.
  • Andrea, F. and Laney, R., 2021, ‘Sketching music together: Mixed groups exploring melodic similarity and contrast using a digital tabletop’, Journal of Music, Technology & Education, 14(2&3), pp. 179–207., https://oro.open.ac.uk/101155/.
  • Bolzoni, A., Di Donato, B. and Laney, R., 2021, ‘tiNNbre: a timbre-based musical agent’, in Nordic SMC 2021: The 2nd Nordic Sound and Music Conference, 11-12 Nov 2021, Online., https://oro.open.ac.uk/79775/.
  • Lederman, N., Holland, S. and Mulholland, P., 2020, ‘A principled approach to the development of drum improvisation skills through interaction with a conversational agent’, in PPIG 2020 - 31st Annual Workshop, 30 Nov - 4 Dec 2020, Online., https://oro.open.ac.uk/74638/.
  • Georgiou, T., Islam, R., Holland, S., Linden, J. V. D., Price, B., Mulholland, P. and Perry, A., 2020, ‘Rhythmic Haptic Cueing Using Wearable Devices as Physiotherapy for Huntington Disease: Case Study’, JMIR Rehabilitation and Assistive Technologies, 7(2), https://oro.open.ac.uk/71609/.
  • Cutajar, S., 2020, ‘Automatic Generation of Dynamic Musical Transitions in Computer Games’, [Thesis], https://oro.open.ac.uk/69192/.
  • Georgiou, T., Holland, S. and van der Linden, J., 2020, ‘Rhythmic Haptic Cueing for Gait Rehabilitation of People With Hemiparesis: Quantitative Gait Study’, JMIR Biomedical Engineering, 5(1), https://oro.open.ac.uk/73657/.
  • Mudd, T., Holland, S. and Mulholland, P., 2020, ‘The Role of Nonlinear Dynamics in Musicians' Interactions with Digital and Acoustic Musical Instruments’, Computer Music Journal, 43(4), pp. 25–40., https://oro.open.ac.uk/69267/.
  • Mudd, T., Holland, S. and Mulholland, P., 2019, ‘Nonlinear Dynamical Processes in Musical Interactions: investigating the role of nonlinear dynamics in supporting surprise and exploration in interactions with digital musical instruments’, International Journal of Human-Computer Studies, 128 pp. 27–40., https://oro.open.ac.uk/59434/.
  • Islam, R., Holland, S., Price, B. and Mulholland, P., 2019, ‘Gait Rehabilitation for Neurological Conditions using Wearable Devices’, in Workgroup on Interactive Systems in Health, CHI 2019: Conference on Human Factors in Computing Systems, 5 May 2019, Glasgow, United Kingdom., https://oro.open.ac.uk/66556/.
  • Holland, S., Mudd, T., Wilkie-McKenna, K., McPherson, A. and Wanderley, M. M., 2019, ‘Understanding Music Interaction, and Why It Matters’, in Holland, Simon; Mudd, Tom; Wilkie, Katie; McPherson, Andrew and Wanderley, Marcelo M. eds. New Directions in Music and Human-Computer Interaction. Springer Series on Cultural Computing. Springer, pp. 1–20., https://oro.open.ac.uk/59436/.
  • Holland, S. and Fiebrink, R., 2019, ‘Machine Learning, Music and Creativity: An Interview with Rebecca Fiebrink’, in Holland, Simon; Mudd, Tom; Wilkie, Katie; McPherson, Andrew and Wanderley, Marcelo eds. New Directions in Music and Human-Computer Interaction. Springer Series on Cultural Computing. Springer, pp. 259–267., https://oro.open.ac.uk/59439/.
  • Hödl, O., Kayali, F., Fitzpatrick, G. and Holland, S., 2019, ‘TMAP Design Cards for Technology-Mediated Audience Participation in Live Music’, in Holland, Simon; Mudd, Tom; Wilkie-McKenna, Katie; McPherson, Andrew and Wanderley, Marcelo eds. New Directions in Music and Human-Computer Interaction. Springer Series on Cultural Computing. Springer, pp. 41–59., https://oro.open.ac.uk/59438/.