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The Music Computing Lab

Empowering musicians, illuminating musical activities, and modelling music perception and cognition

Publications

Latest The Music Computing Lab publications > Displaying [61–80 of 198]

  • Georgiou, T., Holland, S. and van der Linden, J., 2016, ‘Rhythmic Haptic Cueing for Entrainment: Assisting post-stroke gait rehabilitation’, in 8th Cambridge Workshop on Universal Access and Assistive Technology, 21-23 Mar 2016, Fitzwilliam College, University of Cambridge, UK., https://oro.open.ac.uk/45150/.
  • Franceschini, A., 2016, ‘Learning to use melodic similarity and contrast for narrative using a Digital Tabletop Musical Interface’, [Thesis], https://oro.open.ac.uk/45474/.
  • Katz, D., Arsand, E., Dalton, N., Holland, S., Martin, C., Olsson, C. M. and Price, B. A., 2016, ‘Designing, Developing, and Evaluating the Future Internet of Personal Health’, in UbiComp '16: ACM International Joint Conference on Pervasive and Ubiquitous Computing, 12-16 Sep 2016, Heidelberg, Germany., https://oro.open.ac.uk/60026/.
  • Milne, A. J. and Holland, S., 2016, ‘Empirically testing Tonnetz, voice-leading, and spectral models of perceived triadic distance’, Journal of Mathematics and Music: Mathematical and Comptational Approaches to Music Theory, Analysis, Composition and Performance, 10(1), pp. 59–85., https://oro.open.ac.uk/45862/.
  • Holland, S., Wright, R. L., Wing, A., Crevoisier, T., Hödl, O. and Canelli, M., 2015, ‘A pilot study using tactile cueing for gait rehabilitation following stroke’, in ICTs for Improving Patients Rehabilitation Research Techniques. Second International Workshop, REHAB 2014, 20-23 May 2014, Oldenburg, Germany., https://oro.open.ac.uk/43251/.
  • Buys, K., Sharp, D. and Laney, R., 2015, ‘A comparison of single-reed and bowed-string excitations of a hybrid wind instrument’, in 3rd Vienna Talk on Music Acoustics (Vienna Talk 2015), 16-19 Sep 2015, Vienna, Austria., https://oro.open.ac.uk/44711/.
  • Steffert, T., Holland, S., Mulholland, P., Dalton, S. and Väljamäe, A., 2015, ‘Prototyping a method for the assessment of real-time EEG sonifications’, in 21st International Conference on Auditory Display, 8-10 Jul 2015, Graz, Austria., https://oro.open.ac.uk/44698/.
  • Mudd, T., Holland, S., Mulholland, P. and Dalton, N., 2015, ‘Investigating the effects of introducing nonlinear dynamical processes into digital musical interfaces’, in Sound and Music Computing Conference, 2015, 26 Jul - 1 Aug 2015, Maynooth University, Ireland., https://oro.open.ac.uk/44649/.
  • Laney, R., Samuels, R. and Capulet, E., 2015, ‘Cross entropy as a measure of musical contrast’, in 5th International Conference, MCM 2015, 22-25 Jun 2015, London, UK,., https://oro.open.ac.uk/43681/.
  • Georgiou, T., Holland, S., van der Linden, J., Tetley, J., Stockley, R. C., Donaldson, G., Garbutt, L., Pinzone, O., Grasselly, F. and Deleaye, K., 2015, ‘A blended user centred design study for wearable haptic gait rehabilitation following hemiparetic stroke’, in 9th International Conference on Pervasive Computing Technologies for Healthcare, 20-23 May 2015, Istanbul, Turkey., https://oro.open.ac.uk/42593/.
  • Milne, A., Laney, R. and Sharp, D., 2015, ‘A spectral pitch class model of the probe tone data and scalic tonality’, Music Perception, 32(4), pp. 364–393., https://oro.open.ac.uk/42387/.
  • Xambó Sedó, A., 2015, ‘Tabletop Tangible Interfaces for Music Performance: Design and Evaluation’, [Thesis], https://oro.open.ac.uk/42473/.
  • Hödl, O., Kayali, F., Fitzpatrick, G. and Holland, S., 2015, ‘Towards bridging a gap in a musical live performance’, in "Bridging the gaps": Third Vienna Talk on Music Acoustics, 16-19 Sep 2015, Vienna., https://oro.open.ac.uk/59939/.
  • Linson, A., Dobbyn, C., Lewis, G. and Laney, R., 2015, ‘A Subsumption Agent for Collaborative Free Improvisation’, Computer Music Journal, 39(4), pp. 96–115., https://oro.open.ac.uk/46072/.
  • Hodl, O., Fitzpatrick, G. and Holland, S., 2014, ‘Exploring the Digital Music Instrument Trombosonic with Extreme Users and at a Participatory Performance’, International Journal on Advances in Intelligent Systems, 7(3-4), pp. 439–449., https://oro.open.ac.uk/43249/.
  • Mudd, T., Holland, S., Mulholland, P. and Dalton, N., 2014, ‘Nonlinear Dynamical Systems as Enablers of Exploratory Engagement with Musical Instruments’, in INTER-FACE: International Conference on Live Interfaces 2014, 19-23 Nov 2014, Lisbon, Portugal., https://oro.open.ac.uk/43252/.
  • Buys, K., Sharp, D. and Laney, R., 2014, ‘Developing and evaluating a hybrid wind instrument excited by a loudspeaker’, in Institute of Acoustics 40th Anniversary Conference, 15-16 Oct 2014, Birmingham, UK., https://oro.open.ac.uk/41419/.
  • Franceschini, A., Laney, R. and Dobbyn, C., 2014, ‘Learning musical contour on a tabletop’, in Joint ICMC/SMC 2014 Conference, 14-20 Sep 2014, Athens, Greece., https://oro.open.ac.uk/40933/.
  • Wilkie, K. L., 2014, ‘Conceptual Metaphor, Human-Computer Interaction And Music: Applying Conceptual Metaphor To The Design And Analysis Of Music Interactions’, [Thesis], https://oro.open.ac.uk/40777/.
  • Hodl, O., Fitzpatrick, G. and Holland, S., 2014, ‘Experimence: Considerations for Composing a Rock Song for Interactive Audience Participation’, in Proceedings of ICMC/SMC Joint Conference: 40th International Computer Music Conference and 11th Sound and Music Computing (ICMC/SMC 2014), 14-20 Sep 2014, Athens, Greece., https://oro.open.ac.uk/43245/.