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The Music Computing Lab

Empowering musicians, illuminating musical activities, and modelling music perception and cognition

Publications

Latest The Music Computing Lab publications > Displaying [81–100 of 198]

  • Wilkie, K., Holland, S. and Mulholland, P., 2014, ‘Eliciting Domain Knowledge Using Conceptual Metaphors: A Case Study from Music Interaction’, in Proceedings of the 28th International BCS Human Computer Interaction Conference (HCI 2014), 9-12 Sep 2014, Southport, UK., https://oro.open.ac.uk/43246/.
  • Angelis, V., 2014, ‘Testing and Analysis of a Computational Model of Human Rhythm Perception’, [Thesis], https://oro.open.ac.uk/40519/.
  • Buys, K., Sharp, D. and Laney, R., 2014, ‘Developing a hybrid wind instrument: using a loudspeaker to couple a theoretical exciter to a real resonator’, in International Symposium on Musical Acoustics (ISMA 2014), 7-12 Jul 2014, Le Mans, France., https://oro.open.ac.uk/40589/.
  • Mudd, T., Holland, S., Mulholland, P. and Dalton, N., 2014, ‘Dynamical Interactions with Electronic Instruments’, in Proceedings of the International Conference on New Interfaces for Musical Expression, 30 Jun - 4 Jul 2014, Goldsmiths, University of London, London., https://oro.open.ac.uk/43244/.
  • Bellingham, M., Holland, S. and Mulholland, P., 2014, ‘A cognitive dimensions analysis of interaction design for algorithmic composition software’, in Proceedings of Psychology of Programming Interest Group Annual Conference 2014, 25-27 Jun 2014, Brighton., https://oro.open.ac.uk/43247/.
  • Mudd, T., Dalton, N., Holland, S. and Mulholland, P., 2014, ‘Dynamical Systems in Interaction Design for Improvisation’, in Workshop on Human Computer Improvisation at 2014 ACM conference on Designing Interactive Systems, 21-25 Jun 2014, Vancouver, BC, Canada., https://oro.open.ac.uk/43253/.
  • Holland, S., Wright, R., Wing, A., Crevoisier, T., Hodl, O. and Canelli, M., 2014, ‘A Gait Rehabilitation pilot study using tactile cueing following Hemiparetic Stroke’, in PervasiveHealth '14: Proceedings of the 8th International Conference on Pervasive Computing Technologies for Healthcare, 20 May 2014, Oldenburg, Germany., https://oro.open.ac.uk/43250/.
  • Linson, A., 2014, ‘Investigating the cognitive foundations of collaborative musical free improvisation: Experimental case studies using a novel application of the subsumption architecture’, [Thesis], https://oro.open.ac.uk/39796/.
  • Prechtl, A., Laney, R., Willis, A. and Samuels, R., 2014, ‘Methodological approaches to the evaluation of game music systems’, in Audio Mostly Conference, 01-03 Oct 2014, Aalborg, Denmark., https://oro.open.ac.uk/42027/.
  • Xambó, A., Roma, G., Laney, R., Dobbyn, C. and Jordà, S., 2014, ‘SoundXY4: supporting tabletop collaboration and awareness with ambisonics spatialisation’, in International Conference on New Interfaces for Musical Expression 2014, 30 Jun - 03 Jul 2014, Goldsmiths, University of London, UK., https://oro.open.ac.uk/40505/.
  • Prechtl, A., Laney, R., Willis, A. and Samuels, R., 2014, ‘Algorithmic music as intelligent game music’, in AISB50: The 50th Annual Convention of the AISB, 1-4 Apr 2014, London, UK., https://oro.open.ac.uk/39795/.
  • Xambó, A., Hornecker, E., Marshall, P., Jordà, S., Dobbyn, C. and Laney, R., 2013, ‘Let’s jam the reactable: peer learning during musical improvisation with a tabletop tangible interface’, ACM Transactions on Computer-Human Interaction (TOCHI), 20(6), https://oro.open.ac.uk/39227/.
  • Väljamäe, A., Steffert, T., Holland, S., Marimon, X., Benitez, R., Mealla, S., Oliveira, A. and Jordà, S., 2013, ‘A review of real-time EEG sonification research’, in International Conference on Auditory Display 2013 (ICAD 2013), 6-10 Jul 2013, Lodz, Poland., https://oro.open.ac.uk/38478/.
  • Xambó, A., Laney, R., Dobbyn, C. and Jordà, S., 2013, ‘Video analysis for evaluating music interaction: musical tabletops’, in Holland, S.; Wilkie, K.; Mulholland, P. and Seago, A. eds. Music and Human-Computer Interaction. Springer Series on Cultural Computing. London, UK: Springer Verlag, pp. 241–258., https://oro.open.ac.uk/30757/.
  • Bouwer, A., Holland, S. and Dalgleish, M., 2013, ‘Song walker harmony space: embodied interaction design for complex musical skills’, in Holland, Simon; Wilkie, Katie; Mulholland, Paul and Seago, Allan eds. Music and Human-Computer Interaction. Cultural Computing. London: Springer, pp. 207–221., https://oro.open.ac.uk/35073/.
  • Bouwer, A., Holland, S. and Dalgleish, M., 2013, ‘The Haptic Bracelets: learning multi-limb rhythm skills from haptic stimuli while reading’, in Holland, Simon; Wilkie, Katie; Mulholland, Paul and Seago, Allan eds. Music and Human-Computer Interaction. Cultural Computing. London: Springer, pp. 101–122., https://oro.open.ac.uk/35072/.
  • Wilkie, K., Holland, S. and Mulholland, P., 2013, ‘Towards a participatory approach for interaction design based on conceptual metaphor theory: a case study from music interaction’, in Holland, Simon; Wilkie, Katie; Mulholland, Paul and Seago, Allan eds. Music and Human-Computer Interaction. Cultural Computing. London: Springer, pp. 259–270., https://oro.open.ac.uk/35070/.
  • Holland, S., Wilkie, K., Mulholland, P. and Seago, A., 2013, ‘Music interaction: understanding music and human-computer interaction’, in Holland, Simon; Wilkie, Katie; Mulholland, Paul and Seago, Allan eds. Music and Human-Computer Interaction. Cultural Computing. London: Springer, pp. 1–28., https://oro.open.ac.uk/35069/.
  • Milne, A. J., 2013, ‘A Computational Model of the Cognition of Tonality’, [Thesis], https://oro.open.ac.uk/38787/.
  • Angelis, V., Holland, S., Upton, P. J. and Clayton, M., 2013, ‘Testing a computational model of rhythm perception using polyrhythmic stimuli’, Journal of New Music Research, 42(1), pp. 47–60., https://oro.open.ac.uk/35068/.