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The Music Computing Lab

Empowering musicians, illuminating musical activities, and modelling music perception and cognition

Publications

Latest The Music Computing Lab publications > Displaying [101–120 of 198]

  • Linson, A., Dobbyn, C. and Laney, R., 2013, ‘A parsimonious cognitive architecture for human-computer interactive musical free improvisation’, Advances in Intelligent Systems and Computing, 196 pp. 219–224., https://oro.open.ac.uk/34745/.
  • Xambó, A., Laney, R., Dobbyn, C. and Jordà, S., 2012, ‘Towards a taxonomy for video analysis on collaborative musical tabletops’, in BCS HCI 2012 Workshop on Video Analysis Techniques for HCI, 11 Sep 2012, Birmingham, UK., https://oro.open.ac.uk/34645/.
  • Roma, G., Xambó, A., Herrera, P. and Laney, R., 2012, ‘Factors in human recognition of timbre lexicons generated by data clustering’, in 9th Sound and Music Computing Conference (SMC 2012), 11-14 Jul 2012, Copenhagen, Denmark., https://oro.open.ac.uk/34083/.
  • Dalton, N., Mackay, G. and Holland, S., 2012, ‘Kolab: appropriation & improvisation in mobile tangible collaborative interaction’, in DIS 2012 Designing Interactive Systems, 11-15 Jun 2012, Newcastle, UK., https://oro.open.ac.uk/33966/.
  • Linson, A., Dobbyn, C. and Laney, R., 2012, ‘Critical issues in evaluating freely improvising interactive music systems’, in International Conference on Computational Creativity (ICCC) 2012, 30 May - 01 Jun 2012, Dublin, Ireland., https://oro.open.ac.uk/33742/.
  • Prechtl, A., Milne, A. J., Holland, S., Laney, R. and Sharp, D. B., 2012, ‘A MIDI sequencer that widens access to the compositional possibilities of novel tunings’, Computer Music Journal, 36(1), pp. 42–54., https://oro.open.ac.uk/30157/.
  • Linson, A., Dobbyn, C. and Laney, R., 2012, ‘Improvisation without representation: artificial intelligence and music’, in Music, Mind, and Invention Workshop: Creativity at the Intersection of Music and Computation, 30-31 Mar 2012, Ewing, New Jersey, USA., https://oro.open.ac.uk/33355/.
  • Linson, A., Dobbyn, C. and Laney, R., 2012, ‘Interactive intelligence: behaviour-based AI, musical HCI and the Turing Test’, in Revisiting Turing and his Test: Comprehensiveness, Qualia, and the Real World, Symposium no. 7 at AISB/IACAP World Congress 2012: Alan Turing Year 2012, 2-6 Jul 2012, Birmingham, UK., https://oro.open.ac.uk/33948/.
  • van der Linden, J., Rogers, Y., Waights, V. and Taylor, C., 2012, ‘A blended design approach for pervasive healthcare: bringing together users, experts and technology’, Health Informatics Journal, 18(3), pp. 212–218., https://oro.open.ac.uk/32962/.
  • Collins, T. E., 2011, ‘Improved methods for pattern discovery in music, with applications in automated stylistic composition’, [Thesis], https://oro.open.ac.uk/30103/.
  • Xambó, A., Laney, R., Dobbyn, C. and Jordà, S., 2011, ‘Multi-touch interaction principles for collaborative real-time music activities: towards a pattern language’, in International Computer Music Conference Proceedings, 31 Jul - 5 Aug 2011, Huddersfield., https://oro.open.ac.uk/28757/.
  • Xambó, A., Laney, R., Dobbyn, C. and Jordà, S., 2011, ‘Collaborative music interaction on tabletops: an HCI approach’, in BCS HCI 2011 Workshop on When Words Fail: What can Music Interaction tell us about HCI?, 4 Jul 2011, Newcastle Upon Tyne., https://oro.open.ac.uk/29115/.
  • Wilkie, K., Holland, S. and Mulholland, P., 2011, ‘We can work it out: towards a participatory approach to designing music interactions’, in When Words Fail: What can Music Interaction tell us about HCI?, 04 Jul 2011, Newcastle Upon Tyne., https://oro.open.ac.uk/39256/.
  • Holland, S., Wilkie, K., Bouwer, A., Dalgleish, M. and Mulholland, P., 2011, ‘Whole body interaction in abstract domains’, in England, David ed. Whole Body Interaction. Human-Computer Interaction Series. London, U.K.: Springer Verlag, pp. 19–34., https://oro.open.ac.uk/27391/.
  • Milne, A. J., Sethares, W. A., Laney, R. and Sharp, D. B., 2011, ‘Modelling the similarity of pitch collections with expectation tensors’, Journal of Mathematics and Music: Mathematical and Comptational Approaches to Music Theory, Analysis, Composition and Performance, 5(1), pp. 1–20., https://oro.open.ac.uk/28353/.
  • Milne, A. J., Xambó, A., Laney, R., Sharp, D. B., Prechtl, A. and Holland, S., 2011, ‘Hex Player—a virtual musical controller’, in The International Conference on New Interfaces for Musical Expression 2011, 30 May - 01 Jun 2011, Oslo, Norway., https://oro.open.ac.uk/28689/.
  • van der Linden, J., Johnson, R., Bird, J., Rogers, Y. and Schoonderwaldt, E., 2011, ‘Buzzing to play: lessons learned from an in the wild study of real-time vibrotactile feedback’, in The 29th International Conference on Human Factors in Computing Systems. ACM CHI 2011, 07-12 May 2011, Vancouver, BC, Canada., https://oro.open.ac.uk/27998/.
  • Collins, T., Laney, R., Willis, A. and Garthwaite, P., 2011, ‘Modeling pattern importance in Chopin's mazurkas’, Music Perception: An Interdisciplinary Journal, 28(4), pp. 387–414., https://oro.open.ac.uk/24818/.
  • Xambó, A., Laney, R. and Dobbyn, C., 2011, ‘TOUCHtr4ck: democratic collaborative music’, in TEI '11 Fifth International Conference on Tangible, Embedded and Embodied Interaction, 23-26 Jan 2011, Funchal, Portugal., https://oro.open.ac.uk/27983/.
  • van der Linden, J., Schoonderwaldt, E., Bird, J. and Johnson, R., 2011, ‘MusicJacket — combining motion capture and vibrotactile feedback to teach violin bowing’, IEEE Transactions on Instrumentation and Measurement, 60(1), pp. 104–113., https://oro.open.ac.uk/25275/.