Skip to content

Toggle service links

The Music Computing Lab

Empowering musicians, illuminating musical activities, and modelling music perception and cognition

Publications

Latest The Music Computing Lab publications > Displaying [121–140 of 198]

  • Hughes, C., Wermelinger, M. and Holland, S., 2011, ‘Sound Spheres: A Design Study of the Articulacy of a Non-Contact Finger Tracking Virtual Musical Instrument’, in 8th Sound and Music Computing Conference, 6-9 Jul 2011, Padova, Italy., https://oro.open.ac.uk/28709/.
  • Wilkie, K., Holland, S. and Mulholland, P., 2010, ‘What can the language of musicians tell us about music interaction design? Computer Music Journal, 34(4), pp’, 34–48., https://oro.open.ac.uk/27387/.
  • Tetley, J., Holland, C., Nederland, T., Toorn, J. v. d., Reichert, M., Lis, K., Mason, A., Kokol, P., Blazun, H., Hughes, J., Waights, V. and Holland, S., 2010, ‘Older people & technological innovations-lifelong, learning and applications for health and wellbeing’, in Fourth European Nursing Congress Older Persons: the Future of Care., 4-7 Oct 2010, Rotterdam., https://oro.open.ac.uk/26570/.
  • Haro, M., Xambó, A., Fuhrmann, F., Bogdanov, D., Gómez, E. and Herrera, P., 2010, ‘The Musical Avatar: a visualization of musical preferences by means of audio content description’, in 5th Audio Mostly Conference, 15-17 Sep 2010, Piteå, Sweden., https://oro.open.ac.uk/23509/.
  • Milne, A. J., Prechtl, A., Laney, R. and Sharp, D. B., 2010, ‘Spectral pitch distance and microtonal melodies’, in Proceedings of the International Conference of Music Perception and Cognition 2010 (ICMPC 11), 23-27 Aug 2010, Seattle, USA., https://oro.open.ac.uk/27040/.
  • Laney, R., Dobbyn, C., Xambó, A., Schirosa, M., Miell, D., Littleton, K. and Dalton, N., 2010, ‘Issues and techniques for collaborative music making on multi-touch surfaces’, in 7th Sound and Music Computing Conference, 21-24 Jul 2010, Barcelona., https://oro.open.ac.uk/21940/.
  • Franceschini, A., 2010, ‘Towards a practical approach to music theory on the Reactable’, in SMC 2010: 7th Sound and Music Computing Conference, 21-24 Jul 2010, Barcelona, Spain., https://oro.open.ac.uk/38698/.
  • Tetley, J., Holland, C., Hughes, J., Waights, V. and Holland, S., 2010, ‘Older people and technological innovations: lifelong learning and applications for health and wellbeing’, in 39th British Society of Gerontology Annual Conference, 6-8 Jul 2010, Brunel University, Uxbridge., https://oro.open.ac.uk/26559/.
  • Seago, A., Holland, S. and Mulholland, P., 2010, ‘A novel user interface for musical timbre design’, in Audio Engineering Society 128th Convention, 22-25 May 2010, London, UK., https://oro.open.ac.uk/28142/.
  • Johnson, R., van der Linden, J. and Rogers, Y., 2010, ‘To buzz or not to buzz: improving awareness of posture through vibrotactile feedback’, in Whole Body Interaction Workshop CHI2010, 10-11 Apr 2010, Atlanta., https://oro.open.ac.uk/23375/.
  • Johnson, R., van der Linden, J. and Rogers, Y., 2010, ‘MusicJacket: the efficacy of real-time vibrotactile feedback for learning to play the violin’, in Proceedings of the 28th International Conference on Human Factors in Computing Systems, 10-15 Apr 2010, Atlanta Georgia, USA., https://oro.open.ac.uk/23378/.
  • Holland, S., Bouwer, A. J., Dalgleish, M. and Hurtig, T. M., 2010, ‘Feeling the beat where it counts: fostering multi-limb rhythm skills with the haptic drum kit’, in Proceedings of the fourth international conference on Tangible, embedded, and embodied interaction, 25-27 Jan 2010, Boston Cambridge Mass, USA., https://oro.open.ac.uk/18900/.
  • Collins, T., Laney, R., Willis, A. and Garthwaite, P., 2010, ‘Using discovered, polyphonic patterns to filter computer-generated music’, in Proceedings of the International Conference on Computational Creativity, 7-9 Jan 2010, Lisbon Portugal., https://oro.open.ac.uk/19023/.
  • Holland, S., 2010, ‘Asymmetrical Multi-User Co-operative Whole Body Interaction in Abstract Domains’, in CHI 2010 (ACM Conference on Human Factors in Computing Systems), 10-15 Apr 2010, Atlanta, GA, USA., https://oro.open.ac.uk/43496/.
  • Collins, T., Thurlow, J., Laney, R., Willis, A. and Garthwaite, P., 2010, ‘A comparative evaluation of algorithms for discovering translational patterns in Baroque keyboard works’, in Proceedings of the International Symposium on Music Information Retrieval, 9-13 Aug 2010, Utrecht, The Netherlands., https://oro.open.ac.uk/21837/.
  • Milne, A. J., 2010, ‘Tonal music theory: A psychoacoustic explanation? In: Proceedings of the International Conference of Music Perception and Cognition 2010 (ICMPC 11), 23-27 Aug 2010, Seattle, USA’, https://oro.open.ac.uk/21509/.
  • Milne, A. J., Sethares, W. A., Laney, R. and Sharp, D. B., 2010, ‘Metrics for pitch collections’, in Proceedings of the International Conference of Music Perception and Cognition 2010 (ICMPC 11), 23-27 Aug 2010, Seattle, USA., https://oro.open.ac.uk/21508/.
  • van der Linden, J., Schoonderwaldt, E. and Bird, J., 2009, ‘Towards a real-time system for teaching novices good violin bowing technique’, in Proceedings HAVE, IEEE International Workshop on Haptic Audio Visual Environments and Games, 7-8 Nov 2009, Lecco, Italy., https://oro.open.ac.uk/19249/.
  • Wilkie, K., Holland, S. and Mulholland, P., 2009, ‘Analysis of conceptual metaphors to improve music software: the role of prior experience in inclusive music interaction’, in British Computer Society HCI Conference 2009 Workshop, 01-05 Sep 2009, Cambridge., https://oro.open.ac.uk/33175/.
  • Milne, A. J., 2009, ‘A psychoacoustic model of harmonic cadences: a preliminary report’, in 7th Triennial Conference of European Society for the Cognitive Sciences of Music (ESCOM 2009), 12-16 Aug 2009, Jyväskylä, Finland., https://oro.open.ac.uk/21507/.