{"id":261,"date":"2024-06-28T11:23:36","date_gmt":"2024-06-28T11:23:36","guid":{"rendered":"https:\/\/dev-ext.kmi.open.ac.uk\/musiclab\/?page_id=261"},"modified":"2026-10-14T11:07:46","modified_gmt":"2026-10-14T10:07:46","slug":"virtual-mphil","status":"publish","type":"page","link":"https:\/\/research.stem.open.ac.uk\/musiclab\/virtual-mphil\/","title":{"rendered":"Virtual MPhil"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\"><a href=\"http:\/\/virtualmphil.open.ac.uk\/\">Virtual MPhil in Computing Topics<\/a><br><a href=\"http:\/\/virtualmphil.open.ac.uk\/8025754E0039125C\/(httpAdHocPages)\/73072664D4CDD2578025756E002C18A1?OpenDocument\">Virtual MPhil in Music Computing<\/a><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">The Virtual MPhil is a new Master of Philosophy (MPhil) programme designed to provide a supportive structure within which advanced IT knowledge and related research skills and methods can be acquired. The degree is offered for part-time study at a distance, supported by a range of technologies for online study, supervision and assessment. The programme is also relevant to students who intend to go on to study for a PhD.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">If you are interested in exploring a Virtual MPhil in a subject related to Music Computing please contact<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Simon Holland,<\/li>\n\n\n\n<li>Robin Laney, or<\/li>\n\n\n\n<li>Janet van der Linden.<\/li>\n<\/ul>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Virtual MPhil in Computing TopicsVirtual MPhil in Music Computing The Virtual MPhil is a new Master of Philosophy (MPhil) programme designed to provide a supportive structure within which advanced IT knowledge and related research skills and methods can be acquired. The degree is offered for part-time study at a distance, supported by a range of [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"parent":0,"menu_order":83,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_unity_review_frequency":"","_unity_review_next_due":0,"_unity_review_reset_requested":false,"_unity_news_pull_enabled":false,"_unity_news_feed_url":"","_unity_news_items_per_page":10,"_unity_pubs_pull_enabled":false,"_unity_pubs_orocus":"","_unity_pubs_project_group":"","_unity_pubs_items_per_page":10,"_unity_research_event_page_slug":"","_unity_team_show_photos":true,"_unity_team_show_blurbs":true,"_unity_team_group_members":false,"_unity_team_profiles_per_row":3,"footnotes":""},"class_list":["post-261","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/research.stem.open.ac.uk\/musiclab\/wp-json\/wp\/v2\/pages\/261","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/research.stem.open.ac.uk\/musiclab\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/research.stem.open.ac.uk\/musiclab\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/research.stem.open.ac.uk\/musiclab\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/research.stem.open.ac.uk\/musiclab\/wp-json\/wp\/v2\/comments?post=261"}],"version-history":[{"count":1,"href":"https:\/\/research.stem.open.ac.uk\/musiclab\/wp-json\/wp\/v2\/pages\/261\/revisions"}],"predecessor-version":[{"id":688,"href":"https:\/\/research.stem.open.ac.uk\/musiclab\/wp-json\/wp\/v2\/pages\/261\/revisions\/688"}],"wp:attachment":[{"href":"https:\/\/research.stem.open.ac.uk\/musiclab\/wp-json\/wp\/v2\/media?parent=261"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}