{"id":2,"date":"2026-10-13T13:17:15","date_gmt":"2026-10-13T12:17:15","guid":{"rendered":"https:\/\/research.stem.open.ac.uk\/the-haptic-drum-kit\/?page_id=2"},"modified":"2026-10-13T13:43:58","modified_gmt":"2026-10-13T12:43:58","slug":"about","status":"publish","type":"page","link":"https:\/\/research.stem.open.ac.uk\/the-haptic-drum-kit\/","title":{"rendered":"About"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\">The Haptic Drum Kit employs four computer-controlled vibrotactile devices, one attached to each wrist and ankle. In the applications discussed here, haptic pulses are used to guide the playing, on a drum kit, of rhythmic patterns that require multi-limb co-ordination. The immediate aim is to foster rhythm skills and multi-limb coordination. A broader aim is to systematically develop skills in recognizing, identifying, memorizing, retaining, analyzing, reproducing, and composing polyphonic rhythms. Three different theories cast interesting light on this approach: the work of the music educator Dalcroze (1865-1950; the entrainment theory of human rhythm perception and production; and sensory motor contingency theory. The paper below reports on a design study and identifies and discusses a variety of emerging design issues. The study demonstrates that beginning drummers are able to learn intricate drum patterns from haptic stimuli alone usisng this new tool.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Holland,S., Bouwer,A, Dalgleish,M. and Hurtig, T. (2010) Feeling the Beat where it counts: Fostering Multi-limb Rhythm Skills with the Haptic Drum Kit. In Proceedings of TEI 2010 Boston Cambridge Mass. Oro ID 18900.\u00a0<a href=\"https:\/\/research.stem.open.ac.uk\/musiclab\/wp-content\/uploads\/2024\/06\/HapticDrumKitTEI2010.pdf\" data-type=\"attachment\" data-id=\"362\">HapticDrumKitTEI2010.pdf<\/a><\/p>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img decoding=\"async\" src=\"https:\/\/research.stem.open.ac.uk\/musiclab\/wp-content\/uploads\/sites\/66\/2024\/06\/mattia-clear-small-jpg-90x120-1.jpeg\" alt=\"\" class=\"wp-image-339\" \/><\/figure>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img decoding=\"async\" src=\"https:\/\/research.stem.open.ac.uk\/musiclab\/wp-content\/uploads\/sites\/66\/2024\/06\/nadia-small-jpg-90x120-1.jpeg\" alt=\"\" class=\"wp-image-340\" \/><\/figure>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img decoding=\"async\" src=\"https:\/\/research.stem.open.ac.uk\/musiclab\/wp-content\/uploads\/sites\/66\/2024\/06\/haptic-drum-anders-small-jpg-160x120-1.jpeg\" alt=\"\" class=\"wp-image-341\" \/><\/figure>\n<\/div><\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img decoding=\"async\" src=\"https:\/\/research.stem.open.ac.uk\/musiclab\/wp-content\/uploads\/sites\/66\/2024\/06\/filming-small-jpg-160x120-1.jpeg\" alt=\"\" class=\"wp-image-342\" \/><\/figure>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img decoding=\"async\" src=\"https:\/\/research.stem.open.ac.uk\/musiclab\/wp-content\/uploads\/sites\/66\/2024\/06\/simon-small-jpg-90x120-1.jpeg\" alt=\"\" class=\"wp-image-343\" \/><\/figure>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img decoding=\"async\" src=\"https:\/\/research.stem.open.ac.uk\/musiclab\/wp-content\/uploads\/sites\/66\/2024\/06\/visitor-small-jpg-90x120-1.jpeg\" alt=\"\" class=\"wp-image-344\" \/><\/figure>\n<\/div><\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img decoding=\"async\" src=\"https:\/\/research.stem.open.ac.uk\/musiclab\/wp-content\/uploads\/sites\/66\/2024\/06\/Mattia-rear-small-jpg-90x120-1.jpeg\" alt=\"\" class=\"wp-image-345\" \/><\/figure>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img decoding=\"async\" src=\"https:\/\/research.stem.open.ac.uk\/musiclab\/wp-content\/uploads\/sites\/66\/2024\/06\/erwin-small-jpg-160x120-1.jpeg\" alt=\"\" class=\"wp-image-346\" \/><\/figure>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img decoding=\"async\" src=\"https:\/\/research.stem.open.ac.uk\/musiclab\/wp-content\/uploads\/sites\/66\/2024\/06\/with-Screen-small-jpg-160x120-1.jpeg\" alt=\"\" class=\"wp-image-347\" \/><\/figure>\n<\/div><\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>The Haptic Drum Kit employs four computer-controlled vibrotactile devices, one attached to each wrist and ankle. In the applications discussed here, haptic pulses are used to guide the playing, on a drum kit, of rhythmic patterns that require multi-limb co-ordination. The immediate aim is to foster rhythm skills and multi-limb coordination. A broader aim is [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_unity_review_frequency":"","_unity_review_next_due":0,"_unity_review_reset_requested":false,"_unity_news_pull_enabled":false,"_unity_news_feed_url":"","_unity_news_items_per_page":10,"_unity_pubs_pull_enabled":false,"_unity_pubs_orocus":"","_unity_pubs_project_group":"","_unity_pubs_items_per_page":10,"_unity_research_event_page_slug":"","_unity_team_show_photos":true,"_unity_team_show_blurbs":true,"_unity_team_group_members":false,"_unity_team_profiles_per_row":3,"footnotes":""},"class_list":["post-2","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/research.stem.open.ac.uk\/the-haptic-drum-kit\/wp-json\/wp\/v2\/pages\/2","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/research.stem.open.ac.uk\/the-haptic-drum-kit\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/research.stem.open.ac.uk\/the-haptic-drum-kit\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/research.stem.open.ac.uk\/the-haptic-drum-kit\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/research.stem.open.ac.uk\/the-haptic-drum-kit\/wp-json\/wp\/v2\/comments?post=2"}],"version-history":[{"count":2,"href":"https:\/\/research.stem.open.ac.uk\/the-haptic-drum-kit\/wp-json\/wp\/v2\/pages\/2\/revisions"}],"predecessor-version":[{"id":5,"href":"https:\/\/research.stem.open.ac.uk\/the-haptic-drum-kit\/wp-json\/wp\/v2\/pages\/2\/revisions\/5"}],"wp:attachment":[{"href":"https:\/\/research.stem.open.ac.uk\/the-haptic-drum-kit\/wp-json\/wp\/v2\/media?parent=2"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}